Recently I wrote a post about bare bones photo outfits for adventure photography. Since I just completed another multi-day backpack adventure in the Grand Canyon, I thought I would expand upon backpacking photography gear and share some images from the trip.
THE HIKE was 5 days starting from Lipan Point, down the Tanner Trail, following the Escalante Route downriver to Hance Rapids, then up the Tonto/Grandview Trail to Grandview Point. There were three of us, myself, Lauri – my super tough wife, assistant, and ultimate companion – and long time good friend John from Seattle. This is a backcountry route on unmaintained and unmarked trails with steep and exposed sections. We had 2 very nice camps along the river and two nice dry camps on the Tonto platform.
BACKPACKING PHOTOGRAPHY is always the most challenging with respect to what gear to take without breaking your back but still having enough gear to produce professional results. I’ve made some reasonably good stock sales from prior Grand Canyon backpack trips so I always take professional gear with me. Lauri and I are moderate ultra-lighters with our regular backpack gear. This allows me to carry a capable camera load without killing my back so long as I train for the trip – which I did this time.
ULTRA LIGHT SUPPORT. I pack the lightest weight Gitzo carbon fiber tripod (1.6lbs) the Mountaineer 0. On top is a Really Right Stuff B-25 head (7oz.) with quick release lever. This is their smallest head and the best head I’ve ever used for lightweight applications. At a little over 2 lbs. the tripod and ball head easily rides on the side of my pack similar to where you would place tent poles carried externally. The tripod allowed me to capture some nice moonlit camp scenes and low light landscapes which you will see below. It easily held a pro body with wide angle zoom in moderate winds. The key is to use a remote release to eliminate any possible shutter shake.
WHAT’S IN THE BAG? For camera gear, I limit myself to one body and lens. Being a Grand Canyon veteran, I find the best lens is the 17-40 on a full frame body. I was planning on taking the Canon 50D but at the last minute took my Canon 1Ds Mark III. The rest of my pack was not that heavy so I opted to carry the extra 1.5 lbs for the full frame, 21 mega-pixel body. In the end I’m glad I did. The canyon is a brutal environment and dealt out a potentially damaging dose of wind, dust, sand, and river spray. The 1D series are built like tanks with weather sealed buttons and the 1Ds, III scoffed at the elements. Lesser bodies may have failed. In addition to the body and lens, I took one strobe – a 580EXII with off camera cord, some gels, and a Honl 1/8 grid. Accessories included a polarizer and a Singh_Ray 3 stop hard step graduated ND filter, extra batteries, a remote release and four 8gb and 16gb compact flash cards.
THE BAG ITSELF. The body and lens, flash, filters, compact flash cards in a tethered Think Tank card wallet, and lens cloth all fit in a Think Tank Digital Holster 50. I carried this bag on my chest, attached to the shoulder straps and hip belt with mini caribiners. In the photo it looks awkward and large but is actually quite comfortable and provides some welcome counterbalance with all the weight on my back. For day shooting, I could quickly pull out the camera and strobe for hiking shots. The small Think Tank Lightning Fast flash bag attached to the side of my pack held the lightweight accessories and batteries that I couldn’t fit in the chest holster bag. There are similar bags on the market designed to be used with backpacks such as the Clik adventure bags. From what I’ve seen they have a better designed system for attaching a chest holster to your backpack. And they offer other than black bags – much better for hot desert conditions. But I invested in the Think Tank before Clik adventure packs were on the market.
THE WHOLE KIT AND KABUDLE. My entire Grand Canyon backpacking photography ensemble was 7.5 lbs. If we weren’t seasoned backpackers and good at getting the rest of the load down to a reasonable weight, 7.5 lbs would seem cumbersome.
CAN I GET THE WEIGHT DOWN EVEN MORE? If money were no object, I would opt for a Canon 5D, Mark II vs. the heavier 1Ds Mark III as the best Canon full frame pro body for backpacking. Then again if money were no object I would have hired a college student with a strong back in desperate need of cash to schlep my camera gear for me. Next trip. I wouldn’t even think of leaving a strobe and accessories behind even though that would shave another pound. There are so many situations where carefully crafted artificial light was useful for hiking and camping lifestyle photography. The strobe and the ability to shape and warm the light it produces makes or breaks the difference between amateur and professional results.
I could scrap the tripod but that would mean no night time or low light landscapes with lots of depth of field images. I’m not ready to make that sacrifice yet. As I look at the results from the trip, it makes all the back and joint pain of carrying my photo gear worthwhile.